ARTICLE | LORENZO E SIMONA PERRONE

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DI BIANCO E DI ESSENZA

“Di Bianco e Di Essenza” perfectly encapsulates the meaning of their work: all their creations are enveloped in white—not as a mere minimalist aesthetic choice, but as an expression of the deep core of things. The central theme of their research is essence itself: a constant reflection on the truth hidden beneath the surface.

Di Bianco e Di Essenza, 2025, books, plaster, acrylic varnish, 47x71x26 cm

The works on display address a wide range of themes: from war to the plight of migrants, from the search for meaning in existence to the preservation of the environment. These are delicate yet powerful pieces that shed light on issues of great relevance. Their works confront urgent and meaningful topics such as violence, memory, and conflict.

With pieces like Of White and of Essence, they explore philosophical concepts of existence, while in Absence, Yet a Sharper Presence, they evoke a violent rupture, made visible through the threads of a book’s binding. The Words I Lost delves into disillusionment, symbolized by letters falling like tears.

Assenza più acuta presenza, 2025, Real book, plaster, acrylic varnish, twine, 44x64x8 cm
Le parole che ho perso, 2025, Real book, plaster, acrylic varnish, hard what letters and wooden shelf, 70x67x19 cm

With each work, Lorenzo and Simona not only tell stories, but also invite deep reflection, urging the viewer to look beyond the surface and confront the most intimate and pressing truths of our reality.

STUDIO VISIT

Their ability to navigate often dramatic themes with grace and delicacy is one of the most compelling aspects of their work. A memorable example is the piece they dedicated in 2008 to Anna Politkovskaya, the Russian journalist assassinated in Moscow for exposing the atrocities of the war in Chechnya. The artwork speaks for itself: a book pierced by five holes—a subtle reference to the five bullets that struck the journalist.

Lorenzo and Simona Perrone’s studio is a space that feels suspended in time, bathed in an enveloping light that enhances the dominance of white, creating a rarefied and contemplative atmosphere. Here, books are not mere objects—they become true protagonists. They open along the walls, unfolding like the pages of a silent story, transformed into dynamic sculptures that bend, break, and reassemble into shapes that evoke waves, flowing currents, traces of a scarred yet never forgotten past. At times, they appear suspended, almost floating in the air, as if to tell stories that cannot be expressed with words, but only through gesture and emotion.


Each book, despite its fragmented appearance, retains a powerful expressive force that evokes deep and intense emotions, touching invisible chords in the viewer’s heart.

The Perrones’ work is rooted in the artistic avant-garde, yet it comes to life through a completely unique language, where white is never merely a background but becomes a symbol of purity, truth, and a relentless pursuit of the essence of things. Each creation, despite its apparent simplicity, is a reflection on the world—an invitation to look beyond surfaces, to rediscover the quiet strength that lies hidden in the folds of what surrounds us.


At PUNTO SULL’ARTE, Varese, Italy

Caos bianco, 2020, libri, gesso, vernice acrilica e metallo, 175x31x32 cm